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THE SECRET OF THE  R + C  ANAGRAM

 The tombstone of Dame Marie de NEGRE D’ABLES contains a perfect anagram, which authenticates the reconstitution carried out by Ernest CROS, engineer and former Ecole Polytechnique student.
There are 46 letters for the anagram and 46 letters for the slab if we count the "e" of PRAECUM and G for the Holy Grail (spider), while the two Templar crosses form the two (+).

According to Jean ROBIN ("LE ROYAUME DU GRAAL", p. 254):
"It was rear admiral CAGGER who found the text of the anagram."
Unfortunately, his erroneous interpretation misled generations of searchers.

 THE ANAGRAM OF THE FUNERARY SLAB HAS A PRECISE MEANING:
It indicates the hiding place where the Tomb of Jesus Christ was moved:

ISIS  REGIS  E  REGESTA  AD  CELLA   DM   ARCHIS
 IN  PAGO  PUERI  R + C + C

 

Our translation:

ISIS = IS.IS. = IESOUS.IESOUS = JESUS BAR-ABA = Jesus Barabbas.
REGIS = REG/IS = ROI/JESUS = JESUS-CHRIST         (REGO = ROI = KING)
REGESTA = ENTREPOSE, CLASSE (LEAVE)
CELLA = PETITE PIECE, CAVE... (CAVEAU, if a burial place).
ARCHIS: comes from ARC = ARCHE = VOUTE = SECRET (arcane): = HIDING PLACE
PAGO = PAYS = CITE (CITY) (means surrounding country as well; the city is the "urb").
PUERI = ENFANT (INFANT)
R + C + C = ROSE + CROIX + CABALISTIQUE. (The Catholic Rose Croix of PELADAN, founded in 1891, was a symbol AND a decoy...).

Our interpretation:

JESUS BAR-ABA, CHRIST, LIES IN THE SECRET TOMB, DM
NEAR THE CITY OF THE INFANT  R + C + C

This city is ALET, because it contained a sizeable Jewish community (it has a "rue de la Juiverie" and a house said to be that of the prophet NOSTRADAMUS), and was designated as chosen (élue)  because it was the residence of the saviour.

"ALECTA – ELECTA"
"ALET, ELUE"

 Patrick FERTE showed that NOSTRADAMUS came from CARCASSONNE, through his paternal ascendance (converted Jew), but until the recent past it was assumed he had come from ALET ("ARSENE LUPIN SUPERIEUR INCONNU", pp. 276-279).



ORIGIN OF THE EXPRESSION "ET IN ARCADIA EGO"

 

The ROSICRUCIANS who moved the Holy Sepulchre to the City of Alet encoded their message on the "Pontils" tombstone, on which the Templars had engraved the Great Secret.
The process, using the already existing letters, which combined genius, beauty and harmony is, strictly speaking, divine.
We are going to show that the mysterious inscription "ET IN ARCADIA EGO" in the paintings of GUERCHIN and POUSSIN was not created "ex-nihilo", but based on supernumerary letters, resulting from the difference between those of the anagram on the finished tombstone containing the hidden message, and those of the primitive Templar inscription.

Let us write end to end the words of the initial Templar inscription, and those of the R + C anagram.

- Templar inscription (32 letters)

REDIS  REGIS  CELLIS  ARCHIS  PS  PRA (E) - CUM -  G (= Spider = Grail)

- Hidden message (anagram) of the funerary slab (46 letters)

ISIS  REGIS  E  REGESTA  AD  CELLA  DM  ARCHIS  IN  PAGO  PUERI  R + C + C

 Let us count the letters for each expression:

2A5       3C4       1D2       4E6       2G3       1H1      4I6       2L2       1M1       0N1       0O1       2P2       4R5        5S5       0T1       1U1     

 The surplus of supernumerary letters is as follows:

3A, 1C, 1D, 2E, 1G, 2I, 1N, 1O, 1R, 1T, i.e. 14 letters.

Or:                              

AAA, C, D, EE, G, I I, N, O, R, T.

These 14 letters were assembled in order to compose the expression:

"ET IN ARCADIA EGO"

This EXOTERIC inscription means literally:

"ME ALSO IN ARCADIA"

and applies perfectly to the Holy Sepulchre hidden in the region of Arques.

 

We will discover how each of the letters was used, in order to give it an ESOTERIC and more precise meaning.
The 14 letters were divided into two groups of 7 letters, into which it was necessary to incorporate the two pluses (+).



THE  ROSICRUCIAN  INSCRIPTIONS

THE LEFT VERTICAL INSCRIPTION
The "P" and the "X" are two Greek letters (P being the sign of the Ro, and X the Chi), which were pronounced "R" and "C"; they were substituted to form the monogram of Jesus.
The Templar cross placed intentionally in the centre of a triangle, A + PX, allows several readings:

- The inscription can be "pronounced":

"ET IN ARC"

- The inscription can be read:

"ET IN PAX"

- Its hidden meaning is:

ET IN  "A + XP"  or   ET IN  ”A + PX”

"A" could signify Aleth or Arques, or any other locality whose name starts with the letter "A".
"+" could signify the symbol for "TOMB". (As in R + C).
"XP" was the monogram designating CHRIST(Xpistos) in the time of the Emperor CONSTANTINE (fourth to sixth century).

Translation:

"A + XP"
"ALETH TOMB JESUS"

  

THE RIGHT VERTICAL INSCRIPTION
Certain Latin letters were replaced by Greek letters, with a very precise aim, and attracting attention:
- The representation on the right ending with the letter "OMEGA" invites us to consider that the first "A" should read "ALPHA".

"ALPHA and OMEGA" symbolises  GOD (Revelation 22.(13)) 
"I am the Alpha and the Omega"

- The representation can also be cut up into three words that could read, from top to bottom, "A DIA EGO", homophonously "ME TO GOD" or "CREATURE OF GOD".

- In this second lateral inscription, the Templar cross is no longer in the centre of a triangle as before, but in the alignment of a DELTA and an "I", indicating a rectilinear reading direction.

The replacement of the "D" by a D has no aim other than phonetic:
The
D is pronounced DALETH in Hebrew.
"I" is the first letter of the Hebrew word IESHOUAH.
The inscription should be pronounced in Hebrew:

 "D + I"
"DALETH TOMBE IESHOUAH"
"D’ALETH TOMB JESUS"


This reading confirms brilliantly our interpretation in Greek and in Latin (R + C = Area-Tomb-Christ).
It recalls the key that the initiate PARACELSUS (friend of the Rosicrucians) had inscribed on the pommel of his sword, "AZOTH", which represents the trilingual translation of the Symbol of Jesus (Apocalypse 22.(13)).

 The body of JESUS CHRIST, perfectly preserved, lies in ALETH; hidden King, sleeping King, he awaits, according to the Prophecy, his second resurrection which will announce the golden age and the establishment of the Kingdom of God:

"DALETH
"I am laid low in the dust; resuscitate me according to your word."
Psalms 119.(25).

 

MEANING OF THE INSCRIPTIONS
The left and right vertical inscriptions, put end to end, are pronounced:

"ET IN ARCADIA EGO"
and mean:
"JESUS, CREATURE OF GOD, LIES IN PEACE IN ALETH."

This is the Great SECRET, contained in the three paintings of GUERCHIN and POUSSIN, of which the last, the most elaborate, expresses to perfection the message of the painter, as we will show.

 

ORIGIN OF THE INSCRIPTIONS
- In all likelihood in at least the sixteenth century, given the mention of ROSICRUCIAN, "heir" movement of the hidden tradition of the Order of the Temple.

- Obligatorily anterior to the most ancient of the inscriptions mentioning the inscription
 "ET IN ARCADIA EGO".

Patrick FERTE in fact reports ("ARSENE LUPIN SUPERIEUR INCONNU", page 136) that:
"This formula recalls a German engraving of the sixteenth century representing "THE KING OF THE NEW SION dethroned after inaugurating the Golden Age "." (This would be an allegory on the defeat and torment of John of Leiden, head of the Anabaptists, who had tried to found in Munster a New Jerusalem in the form of an egalitarian republic).

 

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